Shchedrivka III for two bass viols (2019) – written for Joanna Levine and Sam Stadlen of Fretwork

Odysseus in Ogygia for six viola d’amores (2011) – to listen go to the Recordings page

Foure Fountaines for viola d’amore and harp in quarter tone tuning (2012) – to listen go to the Recordings page

Tartini and his Pupil for two viola d’amores (2016) c. 5 mins

Three Glass Kings for solo viola d’amore, (after the stained glass windows in St Nectan’s Church, Stoke, Hartland, Devon, UK). Three short pieces, in total c. 6 mins.

The Dancing of the Sunbeams in the Sea for solo baroque flute (2015) – to listen go to the Recordings page

There are Still the Roses (2011), a setting of the poem by William Carlos Williams for two viola d’amores and SATB chorus c. 4 mins.

Notes from a Viol Cabinet for 5 part string ensemble (2002) c. 6 mins.  Composed for Sonnerie and premiered at Festival Radovljica, Slovenia, 2002.

Sensation at the Pythian Games for solo baroque oboe and narrator (2012)

At the Bottom of the Sea for solo baroque violin in scordatura with optional narration (2010)

There is Nothing in the World…for five part viol consort (1996)

Ariel and Caliban for 4 part viol consort (2000)

Ariel’s Songs – settings of verse from The Tempest for counter tenor, 4 part viol consort, lute and theorbo (1999) c. 7 mins

Ariel’s Songs – settings of verse from The Tempest for soprano and two viola d’amores (2000) c. 7 mins

Wenn Wege sich Kreuzen – a setting of a poem by Siljarosa Schletterer to the Allemande from J S Bach partita in A minor BWV 1065 for soprano and viola d’amore (2014)

Maturity – a setting of a poem by Claes Andersson for soprano and viola d’amore (2014)

Eternity – a setting of the poem by William Blake for soprano and viola or viola d’amore (2003)

Had Bach Had Legal Aid for viola d’amore and baryton (2000) c. 7 mins

Shchedrivka (arrangement of an ancient Ukrainian carol) for baroque violin and theorbo (2011) c. 4 mins.

World Seen Through Water for lute and treble viol (2004) c. 3 mins